For many people seeking protection, unfair visa policies and closed borders mean they have to take dangerous escape routes across land and sea – often in life-threatening conditions. The Mediterranean is one of the deadliest routes in the world, with tens of thousands of people dead or missing. In this article, we take a closer look and give a voice to personal stories and voices from the borders, providing insight into the work of remembering those who have died or gone missing.
Since 2014, CommemorActions have been held to remember those who have died or disappeared while seeking protection in the EU.
What is a CommemorAction?A CommemorAction combines commemoration and action. It honours those who have died or disappeared in search of freedom of movement, while at the same time demanding truth, justice and political change. CommemorActions arose from the collaboration between relatives and friends of the disappeared and activists who document their stories and make their demands visible. They are both commemorative events and protests: political messages meet artistic performances, grief meets resistance. The aim is to create spaces where relatives can mourn publicly together with supporters, tell their stories and put pressure on those responsible.
How and when does a CommemorAction take place?On 6 February 2014, more than 200 people attempted to swim from the Moroccan coast to the Spanish enclave of Ceuta. They were attacked by border police with tear gas and rubber bullets and prevented from reaching land. At least 15 people died off the coast of Tarajal, and many more are still missing today. The survivors were illegally pushed back to Morocco. Since this massacre, relatives, survivors, artists and activists have been meeting every year on 6 February for CommemorActions – not only in Spain and Morocco, but throughout Europe and Africa. This day has now become the "Global Day of Struggle Against the Regime of Death at the Borders".
More information in the FAQ Flight.
Article by Lina Urbat and Alina Kopp. Online editing by Alina Kopp.
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